Of all the legendary released or unreleased Neil Young albums, no LP has recieved more accolades, critisism and/or general discussion in print than "Tonight's The Night". Although the released LP (issued on June 21, 1975) is supposidly closer to the original concept than any of the rumored alternate versions, interest in what might have been continues to this day. Except for the occasional off-hand remark in an interview with Neil or someone close to him, virtually nothing was known about any of the "many" unreleased versions of the album. Even the often-mention Elliott Roberts stage play version has never been detailed. Then, about fifteen years ago, I came across a box of acetates at a record swap meet. Some of them were labeled; some were not. A few of the labels bore the names of unknown artists in faded type. One Columbia Studios disc had "Neil Young" in type so faded that it was more embossed than legible. I bought it, and then I went home. I had no idea about what I'd found, but I knew that I'd found enough for one day. What I found that day was one of the who-knows-how-many different "Tonight's The Night" acetates. Although seven of the twelve acetate cuts did end up on the 1975 Reprise LP, the song order was completely different (and included only one take of the title song). Three of the remaining five songs were eventually released, but the other two are still unreleased, nearly thirty years later. Expected but missing was the no-break between-song chatter that had been one of the few recurring "original concept" rumors. There is a small amount of extra "musician noise" at the end of some cuts, but it is always followed by cold silence. As it turned out, nothing expected (based on various published reports) would appear sonically on the acetate. Whereas accounts of numerous unreleased versions of this album present a cohesive "story" (i.e., starting & ending with the title song) this previously undocumented version seems unfocused as it rolls on like a typical collection of songs drawn from various sessions. The album starts off just like the released LP, with "Tonight's The Night (part one)", followed by "Mellow My Mind", "Roll Another Number", "Tired Eyes" and "Speakin' Out" --out of sequence (all from the released LP). But that's where the similarities end and the interesting stuff begins. Two tracks from "On The Beach" (July 10, 1974) follow, with "Walk On" closing side one and "For The Turnstiles" opening side two. The still-unreleased "Bad Fog Of Loneliness" is next. How this February 6, 1971 Crazy Horse track ended up in this project has been debated for years, but the mood & performance fits seamlessly with the Santa Monica Flyers cuts. This slow, plodding recording is classic Crazy Horse, highlighted by the "dueling" lead guitars of Old Black (Neil) & the sweet pedal steel guitar (Ben Keith). "New Mama" (from the released album) follows, with "Winterlong" (from "Decade" October 28, 1977) and then "Borrowed Tune" (also from the Reprise LP). The acetate closes with the second unreleased song, a solo acoustic version of "Traces". A well-known leftover from the '74 CSNY tour, the song is most-likely an unused demo from the unfinished "Human Highway" project rather than a new recording cut specifically for this project. Even so, the song of hope for an unresolved relationship closes the set well in this symbolic summing up of the program's theme. After twenty-five years of listening to "Tonight's The Night" as Neil presented it to us, it's disorienting (although certainly interesting) to listen to this acetate. Nonetheless, of all the Neil Young tapes available from tape collectors/ traders, maybe ten of them are really worth seeking out; this one is ESSENTIAL. "Tonight's The Night" pressbook cover photo ©1975 Gissbert Hanekroot ©1975 Reprise Records "Tonight's The Night" LP acetate label ©1974 Columbia Recording Studios ©1974,©1975 Reprise Records ©1992, 1999, 2004 jef michael piehler ©1999, 2004 sidestreet publishing company Originally published in BrokenArrowmagazine#49November1992,revised July1999 & August 2004 All rights reserved. No partof this article may be reproduced in any form or by any electronic means, including information storage,database &/or retrieval systems without permission in writing from the , except by a reviewer who may quote brief passages in a review of this or related materials.